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I snatch at my eagle plumes and long hair.
A hand cut my hair; my robes did deplete.
Left heart all unchanged; the work incomplete.
These favors unsought, I’ve paid since with care.
Dear teacher, you wished so much good to me,
That though I was blind, I strove hard to see.
Had you then, no courage frankly to tell
Old-race problems, Christ e’en failed to expel?
My light has grown dim, and black the abyss
That yawns at my feet. No bordering shore;
No bottom e’er found my hopes sunk before.
Despair I of good from deeds gone amiss.
My people, may God have pity on you!
The learning I hoped in you to imbue
Turns bitterly vain to meet both our needs.
No Sun for the flowers, vain planting seeds.
I’ve lost my long hair; my eagle plumes too.
From you my own people, I’ve gone astray.
A wanderer now, with no where to stay.
The Will-o-the-wisp learning, it brought me rue.
It brings no admittance. Where I have knocked
Some evil imps, hearts, have bolted and locked.
Alone with the night and fearful Abyss
I stand isolated, life gone amiss.
Intensified hush chills all my proud soul.
Oh, what am I? Whither bound thus and why?
Is there not a God on whom to rely?
A part of His Plan, the atoms enroll?
In answer, there comes a sweet Voice and clear,
My loneliness soothes with sounding so near.
A drink to my thirst, each vibrating note.
My vexing old burdens fall far remote.
“Then close your sad eyes. Your spirit regain.
Behold what fantastic symbols abound,
What wondrous host of cosmos around.
From silvery sand, the tiniest grain
To man and the planet, God’s at the heart.
In shifting mosaic, souls doth impart.
His spirits who pass through multiformed earth
Some lesson of life must learn in each birth.”
Divinely the Voice sang. I felt refreshed.
And vanished the night, abyss and despair.
Harmonious kinship made all things fair.
I yearned with my soul to venture unleashed.
Sweet freedom. There stood in waiting, a steed
All prancing, well bridled, saddled for speed.
A foot in the stirrup! Off with a bound!
As light as a feather, making no sound.
Through ether, long leagues we galloped away.
An angry red river, we shyed in dismay,
For here were men sacrificed (cruel deed)
To reptiles and monsters, war, graft, and greed.
A jungle of discord drops in the rear.
By silence is quelled suspicious old fear,
And spite-gnats’ low buzz is muffled at last.
Exploring the spirit, I must ride fast.
Away from these worldly ones, let us go,
Along a worn trail, much travelled and—Lo!
Familiar the scenes that come rushing by.
Now billowy sea and now azure sky.
Amid that enchanted spade, as they spun
Sun, moon, and the stars, their own orbits run!
Great Spirit, in realms so infinite reigns;
And wonderful wide are all His domains.
Hark! Here in the Spirit-world, He doth hold
A village of Indians, camped as of old.
Earth-legends by their fires, some did review,
While flowers and trees more radiant grew.
“Oh, You were all dead! In Lethe you were tossed!”
I cried, “Every where ’twas told you were lost!
Forsooth, they did scan your footprints on sand.
Bereaved, I did mourn your fearful sad end.”
Then spoke One of the Spirit Space, so sedate.
“My child, We are souls, forever and aye.
The signs in our orbits point us the way.
Like planets, we do not tarry nor wait.
Those memories dim, from Dust to the Man,
Called Instincts, are trophies won while we ran.
Now various stars where loved ones remain
Are linked to our hearts with Memory-chain.”
“In journeying here, the Aeons we’ve spent
Are countless and strange. How well I recall
Old Earth trails: the River Red; above all
The Desert sands burning us with intent.
All these we have passed to learn some new thing.
Oh hear me! Your dead doth lustily sing!
‘Rejoice! Gift of Life pray waste not in wails!
The maker of Souls forever prevails!’”
Direct from the Spirit-world came my steed.
The phantom has place in what was all planned.
He carried me back to God and the land
Where all harmony, peace and love are the creed.
In triumph, I cite my Joyous return.
The smallest wee creature I dare not spurn.
I sing “Gift of Life, pray waste not in wails!
The Maker of Souls forever prevails!”
This poem is in the public domain
Zitkála-Šá (“Red Bird”), also known as Gertrude Simmons Bonnin, (1876 - 1938) was Yankton Dakota writer, editor, translator, musician, educator, and political activist who fought for women's suffrage and Indigenous voting rights in the early 20th century. Her writings and activism led to citizenship and voting rights for not only women, but all Indigenous people. She was the author of "American Indian Stories", "Old Indian Legends," "Americanize The First American," and others. Member of the Woman's National Foundation, League of American Pen-Women, and the Washington Salon. This poem recounts the cutting of her hair by employees of White’s Indiana Manual Labor Institute in Wabash, Indiana, where Zitkála-Šá was boarded for three years. More
The Case of the Mysterious Maybe Meteor
NASA Astronomy Picture of the Day:
Whatdunit? What disappeared while crossing a partially eclipsed Sun? Let’s present the evidence. The 24 frames-per-second video was taken in Spain (40°34'30.3"N 1°12'28.8"W) at 20:28 local time on August 12, 2026. The Perseids meteor shower was at its peak during this time. Is this a meteor? Meteor showers trace back to a region of the sky called a radiant point that corresponds to where the Earth is crossing a comet’s path. The object’s path might trace back to the Perseids’ radiant point in the Perseus constellation. The object trails a smaller angle on the sky than the 0.5 degree Sun and Moon, which is smaller than expected for a meteor. Its brightness does not extend much past the Sun, but a meteor burning up in the sky would not need sunlight to be seen. Perhaps the sunlight is reflecting off of the object? After cross-referencing the location, time, and point in the sky with a flight database, the culprit is found to be an airplane contrail!
Standing white Pelargonium zonale. Focus stack of 47 photos.
Agnes Monkelbaan Staande geranium Pelargonium zonale wit. 20-06-2025. (actm.) 03.jpg Staande geranium Pelargonium zonale wit. 20-06-2025. (actm.) 04.jpg </gallery>, CC BY-SA 4.0, via Wikimedia Commons. View source.
WASSILY KANDINSKY ( 1866 - 1944) | Kudos365 History Series
A Pioneer of Abstract Art
Wassily Kandinsky was a Russian-born painter and theorist whose experiments with color, form, and visual rhythm helped establish abstract art as one of the defining movements of the twentieth century. Convinced that painting could communicate emotion without depicting recognizable objects, he sought to give color and line the expressive freedom already found in music.
Born in Moscow on December 16, 1866, Kandinsky spent part of his childhood in Odessa, where he received piano and cello lessons as well as traditional schooling. Music remained a powerful influence throughout his life. He later described colors as possessing qualities similar to musical tones, capable of creating harmony, tension, movement, and emotional resonance.
Kandinsky initially followed an academic career rather than an artistic one. He studied law and economics at the University of Moscow and became sufficiently successful to receive an offer of a university professorship. Nevertheless, his growing fascination with art led him to abandon that path. In 1896, at approximately thirty years of age, he moved to Munich to study painting.
The Search for a New Visual Language
Kandinsky’s early paintings included landscapes, scenes inspired by Russian folklore, and richly colored compositions influenced by Impressionism and Post-Impressionism. Over time, recognizable subjects became less important in his work. Buildings, riders, hills, and figures were gradually transformed into energetic arrangements of color and line.
His development was shaped by several influences. Russian folk art encouraged his use of brilliant color and simplified forms. Music suggested that an artwork did not have to imitate the visible world to convey meaning. Contemporary scientific discoveries and changing philosophical ideas also contributed to his belief that appearances represented only one level of reality.
Kandinsky increasingly treated colors as active expressive forces. Yellow could appear expansive and urgent, while blue suggested depth and inward reflection. Shapes and lines also carried emotional possibilities: circles, angles, curves, and diagonals could interact much as instruments interact within a musical composition.
This approach did not produce abstraction in a single moment. It emerged gradually as Kandinsky reduced descriptive detail and allowed color, movement, and structure to become the principal subjects of his paintings. His work helped demonstrate that a painting could possess meaning even when it did not represent a specific person, place, or event.
The Blue Rider
Kandinsky became an important figure in Munich’s experimental art community. After participating in several artists’ associations, he joined Franz Marc and other modernists in forming Der Blaue Reiter, or The Blue Rider, in 1911.
The group was not defined by one uniform style. Its members shared an interest in artistic freedom, spiritual expression, intense color, and forms of creativity that existed outside conventional European academic traditions. They studied children’s drawings, folk art, medieval imagery, and works from different cultures, believing that artistic value could be found far beyond officially accepted painting.
Kandinsky and Marc edited The Blue Rider Almanac, a collection of essays and images examining relationships among painting, music, theater, and spiritual experience. Although the group’s activity was brief, ending with the disruption caused by the First World War, its ideas influenced the development of Expressionism and modern abstraction.
During this period, Kandinsky produced works with titles such as Improvisation, Impression, and Composition. These musical terms reflected different levels of planning and spontaneity. His large Compositions were among his most ambitious works, bringing together carefully arranged colors, shapes, and movements on a monumental scale.
Art and Spiritual Experience
Kandinsky explained his artistic ideas in Concerning the Spiritual in Art, first published in German in 1911. He argued that art should arise from what he called “inner necessity”—the artist’s authentic need to communicate an inward experience.
He believed that art based only on imitation or technical skill would eventually lose its vitality. The artist’s task was to discover forms appropriate to the intellectual and spiritual conditions of the age. For Kandinsky, abstraction was therefore more than a decorative experiment. It was a means of reaching emotional and spiritual realities that ordinary representation could not fully express.
His theories became highly influential, though his symbolism was never intended to function as a rigid code. The effect of a color depended on its surrounding colors, its shape, its scale, and the composition as a whole. Like a musical note, it gained much of its meaning through relationships.
Russia and the Bauhaus
When the First World War began in 1914, Kandinsky returned to Russia. Following the Russian Revolution, he participated in cultural and educational work, helping to organize museums and contributing to discussions about the role of art in the new society.His increasingly spiritual and individual approach to abstraction, however, did not align easily with emerging Soviet artistic priorities. In 1921, he returned to Germany. The following year, architect Walter Gropius invited him to teach at the Bauhaus, the influential school of art, design, and architecture.At the Bauhaus, Kandinsky taught courses in color, form, and analytical drawing. His paintings became more geometric, incorporating circles, triangles, grids, straight lines, and carefully balanced structures. This change did not represent an abandonment of emotion. Instead, he explored how exact forms could produce complex psychological and visual effects.His 1926 book Point and Line to Plane developed these ideas systematically. It examined the expressive qualities of basic visual elements and their relationships within a composition. Kandinsky’s teaching and writing helped make the study of abstraction a disciplined field rather than an entirely intuitive practice.
Final Years in France
The Bauhaus closed in 1933 under pressure from the Nazi government. Kandinsky then settled near Paris, where he lived for the remainder of his life and became a French citizen in 1939.His final paintings combined geometric organization with softer, biomorphic forms resembling microscopic organisms, seeds, or imaginary creatures. These works often used lighter colors and more playful shapes than his earlier compositions. Although abstraction received limited support in the French art world of the period, Kandinsky continued painting and refining his theories.In Germany, the Nazi regime classified his work as “degenerate art.” Paintings by Kandinsky were removed from public collections, and some were displayed in the regime’s infamous 1937 exhibition intended to condemn modern art. Despite this official hostility, his international influence continued to grow. Kandinsky died in Neuilly-sur-Seine, France, on December 13, 1944, three days before his seventy-eighth birthday.
Legacy
Wassily Kandinsky was not the only artist moving toward abstraction in the early twentieth century, but he became one of its most influential advocates. Through his paintings, teaching, and theoretical writings, he offered a comprehensive explanation of how nonrepresentational art could communicate meaning. His work helped expand the possibilities of painting. Color no longer had to describe the color of an object, and a line no longer had to define something recognizable. Both could function independently, carrying movement, tension, balance, and emotion.
Kandinsky’s ideas influenced later abstract painters, art educators, designers, and theorists around the world. His belief that visual art could operate with the expressive power of music remains central to understanding his achievement. By treating the canvas as a field of relationships rather than a window onto the visible world, he helped open one of modern art’s most consequential new directions.
History Series © 2026 Kudos 365. All Rights Reserved.
Perseids from Perseus • 08/18/26
NASA Astronomy Picture of the Day:
This was a good year for the Perseids meteor shower. A key reason was the Moon was absent from lighting up Earth's night sky so that more meteors were visible than usual. Where was the Moon? It was busy visiting the Sun. Near the Perseids peak, the Moon moved directly in front of the Sun and created a total solar eclipse visible from Greenland and Spain. The Perseids occur when the Earth collides with a stream of Sun-orbiting debris cast off by Comet Swift-Tuttle. Perseid meteors, although typically only the size of a sand grain, tend to be fast and bright because Swift-Tuttle's debris orbits the Sun in a direction partly opposite Earth's orbital motion. In the featured image compilation, accumulated over several nights from Jizerka in the Czech Republic, the Perseids meteor streaks can be traced back to a single location on the sky -- its radiant in Perseus. Gallery: Perseids Meteor Shower of 2026
Photo by Jakub Kuřák
The Beatles arriving at JFK International Airport in 1964. On 18 August 1962, Ringo Starr officially joined The Beatles.
United Press International, photographer unknown, Public domain, via Wikimedia Commons. View source.
The Compass || Kudos365 History Series | The Past that shaped us
The compass is one of history’s most consequential navigational instruments. By providing a dependable sense of direction when familiar landmarks, the Sun, or the stars could not be seen, it allowed travelers and mariners to navigate with greater confidence. Its development helped connect distant societies, expand trade, improve mapmaking, and make long ocean voyages increasingly practical. Like many transformative inventions, the compass did not appear in its final form at a single moment. It evolved over centuries from observations of naturally magnetic stone into a specialized instrument used aboard ships, aircraft, and spacecraft.
Discovering MagnetismAncient peoples knew that lodestone—a naturally magnetized form of the mineral magnetite—could attract iron. References to its unusual properties appeared in several early civilizations, but Chinese scholars and craftspeople made the crucial discovery that a freely moving magnetized object would consistently align in a north–south direction.Some early Chinese directional devices were fashioned from lodestone in the form of a spoon placed upon a smooth bronze plate. Traditionally associated with the Han dynasty, such devices may have been used primarily for divination, geomancy, and the orientation of buildings rather than travel.Over time, Chinese experimenters learned that an iron needle could be magnetized by contact with lodestone. When floated on water or suspended so that it could turn freely, the needle indicated a relatively consistent direction.The Chinese polymath Shen Kuo described the properties of a magnetized needle during the eleventh century. His writings also recognized that the needle did not always point precisely toward geographic north—an early observation of what is now called magnetic declination.From Direction Finder to Navigational InstrumentBy the late eleventh or early twelfth century, Chinese sources described the use of magnetic direction-finding at sea. The instrument was especially valuable when clouds, fog, or darkness prevented sailors from navigating by the Sun, stars, or visible coastline.Early marine compasses commonly used a magnetized needle floating in a bowl of water. Although useful, the water compass could be disturbed by the movement of a ship. Later designs mounted the needle on a pivot, allowing it to rotate more freely and settle more quickly.Knowledge of the magnetic compass appeared in Europe by the late twelfth century. The English scholar Alexander Neckam described sailors using a magnetized needle to determine direction when celestial navigation was impossible. References also appeared in the Islamic world by the thirteenth century.The exact routes by which compass knowledge traveled remain uncertain. The instrument may have spread westward through maritime trade and cultural exchange, or related applications of magnetism may have developed in more than one region. What is clear is that Chinese records of magnetic direction-finding predate surviving European descriptions.The Mariner’s CompassEuropean craftspeople gradually developed the dry compass, in which a magnetized needle was balanced on a pivot inside a protective container. A directional card marked with the points of the compass was attached to or positioned beneath the needle.The compass card divided the horizon into named directions. North, south, east, and west were supplemented by intermediate points, eventually forming the familiar 32-point compass rose used by mariners.Mounting the instrument in gimbals helped keep it level as a ship pitched and rolled. Housing it within a binnacle protected it and made it easier for the helmsman to observe. These improvements transformed the compass from a simple indicator into a practical and increasingly reliable navigational tool.The compass worked particularly well when combined with the portolan charts that appeared in the Mediterranean during the late Middle Ages. These detailed maritime charts showed coastlines, ports, islands, and networks of directional lines that assisted sailors in plotting courses. The compass could indicate heading, but it did not reveal a ship’s exact position. Navigators still needed estimates of speed and distance, observations of latitude, charts, local knowledge, and careful records of the vessel’s course.Exploration and Global NavigationBy the fifteenth and sixteenth centuries, the compass had become standard equipment aboard many European seagoing vessels. It played an essential role during voyages that connected Europe, Africa, Asia, and the Americas through expanding networks of exploration, conquest, migration, and trade.Mariners could maintain a heading when sailing beyond sight of land or when weather obscured the sky. This did not eliminate the dangers of ocean travel, but it made sustained open-water navigation more manageable.The compass helped support the voyages of the European Age of Exploration, including expeditions associated with Christopher Columbus, Vasco da Gama, Ferdinand Magellan, and many less remembered pilots, navigators, and sailors. It also served established maritime traditions throughout Asia, the Indian Ocean, and the Islamic world.Its consequences were profound and mixed. The compass encouraged commerce, geographic knowledge, and cultural contact, but it also assisted imperial expansion, warfare, colonization, and the forced movement of peoples.Understanding Magnetic VariationNavigators eventually recognized that a compass needle usually points toward magnetic north rather than the geographic North Pole. The difference between magnetic north and true north—magnetic declination—varies according to location and changes over time. During his 1492 Atlantic voyage, Columbus recorded changes in the relationship between his compass and the North Star. Later mariners and scientists systematically investigated magnetic variation.In 1600, the English physician and natural philosopher William Gilbert published De Magnete, arguing that Earth itself behaved like a great magnet. His work helped establish the scientific study of terrestrial magnetism.Edmond Halley later conducted extensive magnetic observations at sea and produced an influential chart showing patterns of magnetic variation. Such measurements allowed navigators to correct compass readings more accurately.The nineteenth-century adoption of iron and steel ships created another challenge. A vessel’s own metal could distort the compass. Instrument makers developed compensating magnets and soft-iron correctors, while William Thomson—later Lord Kelvin—introduced influential improvements to the marine compass and its protective binnacle.Beyond the Magnetic CompassThe compass continued to evolve during the modern era. Liquid-filled models reduced vibration and helped the needle or compass card settle. Specialized compasses were developed for surveying, military operations, aviation, mountaineering, and recreational travel.The twentieth century brought the gyrocompass, which uses a rapidly spinning gyroscope and Earth’s rotation to determine true north without relying upon magnetism. Radio navigation, inertial guidance, and satellite-based positioning later gave navigators increasingly precise ways to establish direction and location.Modern ships and aircraft rely heavily on electronic instruments and satellite navigation. Smartphones can determine orientation through combinations of satellite signals, magnetometers, accelerometers, and gyroscopes.Nevertheless, the magnetic compass remains valuable. It requires no satellite connection, external signal, or electrical power and continues to serve as an important primary or backup instrument.Historical ImpactThe compass changed humanity’s relationship with distance. It helped sailors cross unfamiliar waters, merchants establish longer trade routes, explorers chart coastlines, and governments extend their influence across oceans.Its use encouraged advances in cartography, shipbuilding, astronomy, surveying, and the study of Earth’s magnetic field. More dependable navigation contributed to the circulation of goods, crops, technologies, languages, religious beliefs, scientific knowledge, and diseases between previously distant regions.Few instruments have combined such simplicity with such far-reaching consequences. A small magnetized needle helped reshape commerce, warfare, exploration, and the geographic understanding of the world.Historical SignificanceThe compass was not the achievement of a single inventor. It emerged through accumulated discoveries, beginning with the magnetic properties of lodestone and developing into a reliable navigational instrument through contributions made across several cultures.Chinese scholars provided the earliest surviving descriptions of magnetic direction-finding and its navigational use. Mariners and instrument makers in Asia, the Islamic world, and Europe subsequently adopted, adapted, and improved compass technology.The compass did not tell sailors where they were, but it helped them determine which way to travel. That seemingly modest capability transformed navigation and made possible a more extensively connected world.While the tools of civilization evolve, the human story continues to be driven by people, events and many of the same hopes, challenges, and ambitions that have shaped every generation. Kudos365 History Series, "The Past that Shaped Us" brings you weekly articles highlighting important historical points that shaped the evolution of hummanity
History Series © 2026–Present Kudos365. All Rights Reserved
A Golden Corona Eclipse
NASA Astronomy Picture of the Day:
This total solar eclipse appeared not only poetically beautiful but scientifically interesting. Usually the solar corona appears white, and to some observers the corona of last week's total solar eclipse did appear this pearly color. But this time, totality observers in Spain saw a corona that appeared unusually golden. For one reason, from Spain, the totality occurred when the setting Sun was near the horizon. That low, sunlight travels through a large amount of air which scatters out blue light. An unusual amount of smoke in the air from nearby forest fires acted as a second filter, further scattering the remaining blue tones and deepening the already gold-dominated light. The HDR-processed, multiple-exposure featured image was captured from Benavente, Spain last week. One thing that did not appear golden was a hydrogen-glowing prominence that hovered over the Sun's left edge -- its original bright pink color survived. Gallery: Solar Eclipse of 2026 August 12
Photo by Rui Santos (Living Impressions)