A rose has thorns as well as honey,
I’ll not have her for love or money;
An iris grows so straight and fine,
That she shall be no friend of mine;
Snowdrops like the snow would chill me;
Nightshade would caress and kill me;
Crocus like a spear would fright me;
Dragon’s-mouth might bark or bite me;
Convolvulus but blooms to die;
A wind-flower suggests a sigh;
Love-lies-bleeding makes me sad;
And poppy-juice would drive me mad:—
But give me holly, bold and jolly,
Honest, prickly, shining holly;
Pluck me holly leaf and berry
For the day when I make merry.

Christina Georgina Rossetti (1830 –1894), was an English writer born in London. She authored many romantic, devotional and children's poems, including "Goblin Market" and "Remember". She also wrote the words of two Christmas carols well known in Britain: "In the Bleak Midwinter" and "Love Came Down at Christmas",  She was a sister of the artist and poet Dante Gabriel Rossetti II and features in several of his paintings.

This poem is in the public domain.

A light, serene, ethereal glory rests
Its beams effulgent on each crestling wave;
The silver touches of the moonlight wave
The deep bare bosom that the breeze molests;
While lingering whispers deepen as the wavy crests
Roll with weird rhythm, now gay, now gently grave;
And floods of lambent light appear the sea to pave—
All cast a spell that heeds not time’s behests.

Not always such the scene; the din of fight
Has swelled the murmur of the peaceful air;
Here East and West have oft displayed their might;
Dark battle clouds have dimmed this scene so fair;
Here bold Olympia, one historic night,
Presaging freedom, claimed a people’s care.

Fernando Mamuri Maramág (1893 - 1936) was a Filipino poet, journalist, editor and teacher. Son of wealthy landowners, he studied  at the Philippine Normal School (now Philippine Normal University) and later transferred to the University of the Philippines where he wrote for the school paper and soon became the editor-in-chief. Maramag married Constancia Ablaza and they had six children. He worked as an editor for various publications including The Manila Tribune, Rising Philippines, The Philippines Herald, He had a rich style and deep understanding of human nature – qualities which made his poetry appealing to readers. He was one of the earliest Filipino writers to publish poetry in English. 

This poem is in the public domain.

This is the time to be slow
Lie low to the wall
Until the bitter weather passes

Try, as best you can, not to let
The wire brush of doubt
Scrape from your heart
All sense of yourself
And your hesitant light.

If you remain generous,
Time will come good;
And you will find your feet

Again on fresh pastures of promise,
Where the air will be kind
And blushed with beginning.

John O’Donohue

To Bless the Space Between Us: A Book of Blessings

I.
One day through the primeval wood
A calf walked home as good calves should;
But made a trail all bent askew,
A crooked trail as all calves do.
Since then three hundred years have fled,
And I infer the calf is dead.

II.
But still he left behind his trail,
And thereby hangs my moral tale.
The trail was taken up next day,
By a lone dog that passed that way;
And then a wise bell-wether sheep
Pursued the trail o'er vale and steep,
And drew the flock behind him, too,
As good bell-wethers always do.
And from that day, o'er hill and glade.
Through those old woods a path was made.

III.
And many men wound in and out,
And dodged, and turned, and bent about,
And uttered words of righteous wrath,
Because 'twas such a crooked path;
But still they followed—do not laugh—
The first migrations of that calf,
And through this winding wood-way stalked
Because he wobbled when he walked.

IV.
This forest path became a lane,
that bent and turned and turned again;
This crooked lane became a road,
Where many a poor horse with his load
Toiled on beneath the burning sun,
And traveled some three miles in one.
And thus a century and a half
They trod the footsteps of that calf.

V.
The years passed on in swiftness fleet,
The road became a village street;
And this, before men were aware,
A city's crowded thoroughfare.
And soon the central street was this
Of a renowned metropolis;
And men two centuries and a half,
Trod in the footsteps of that calf.

VI.
Each day a hundred thousand rout
Followed the zigzag calf about
And o'er his crooked journey went
The traffic of a continent.
A Hundred thousand men were led,
By one calf near three centuries dead.
They followed still his crooked way,
And lost one hundred years a day;
For thus such reverence is lent,
To well established precedent.

VII.
A moral lesson this might teach
Were I ordained and called to preach;
For men are prone to go it blind
Along the calf-paths of the mind,
And work away from sun to sun,
To do what other men have done.

They follow in the beaten track,
And out and in, and forth and back,
And still their devious course pursue,
To keep the path that others do.
They keep the path a sacred groove,
Along which all their lives they move.
But how the wise old wood gods laugh,
Who saw the first primeval calf.
Ah, many things this tale might teach—
But I am not ordained to preach.

(This poem is in the public domain)

Sam Walter Foss (1858 – 1911) was an American librarian and poet born in Candia, New Hampshire. He gra­du­at­ed from Brown Un­i­ver­si­ty, Pro­vi­dence, Rhode Is­land, in 1882, His works include The House by the Side of the Road, Two Gods and The Coming American. He served as librarian at the Somerville Public Library in Massachusetts.  Foss used to write a poem a day for the newspapers and his five volumes of collected poetry

"Only a dad, but he gives his all
To smooth the way for his children small,
Doing, with courage stern and grim,
The deeds that his father did for him.
This is the line that for him I pen,
Only a dad, but the best of men"

Last Stanza from Edgard Guest's Poem "Only a Dad" See complete poem

    Immortality 

Do not stand
By my grave, and weep.
I am not there,
I do not sleep,
I am the thousand winds that blow
I am the diamond glints in snow
I am the sunlight on ripened grain,
I am the gentle, autumn rain.
As you awake with morning’s hush,
I am the swift, up-flinging rush
Of quiet birds in circling flight,
I am the day transcending night.
Do not stand
By my grave, and cry—
I am not there,
I did not die.

Poem by Clare Harner, (Published in "The Gypsy", December 1934 - page 16). The poem is often attributed to anonymous or incorrect sources. Harner, wrote the verses in late 1934, attempting to cope with her grief, after the unexpected death of her brother.by presenting death, not as an ending but a transformation.