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Poetry Alley

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There is no Life or Death,
Only activity
And in the absolute
Is no declivity.
There is no Love or Lust
Only propensity
Who would possess
Is a nonentity.
There is no First or Last
Only equality
And who would rule
Joins the majority.
There is no Space or Time
Only intensity,
And tame things
Have no immensity.


This poem is in the public domain

When April's here and meadows wide
Once more with spring's sweet growths are pied
I close each book, drop each pursuit,
And past the brook, no longer mute,
I joyous roam the countryside.

Look, here the violets shy abide
And there the mating robins hide—
How keen my sense, how acute,
When April's here!

And list! down where the shimmering tide
Hard by that farthest hill doth glide,
Rise faint strains from shepherd's flute,
Pan's pipes and Berecyntian lute.
Each sight, each sound fresh joys provide
When April's here.

This poem by Jessie Redmon Fause is in the public domain.

Jessie Redmon Fauset (1882 – 1961) was a poet, essayist, novelist, educator and editor from the Harlem Renaissance. Her literary work helped sculpt African-American literature in the 1920s as she focused on portraying a true image of African-American life and history. She wrote several novels, including There Is Confusion (1924) and Plum Bun (1928). Fauset also served as the editor of The Crisis from 1919–26.... Wikipedia

I shall gather myself into myself again,
I shall take my scattered selves and make them one,
Fusing them into a polished crystal ball
Where I can see the moon and the flashing sun.

I shall sit like a sibyl, hour after hour intent,
Watching the future come and the present go,
And the little shifting pictures of people rushing
In restless self-importance to and fro.

Sara Teasdale (1884 – 1933) was an American lyric poet. She was born Sarah Trevor Teasdale in St. Louis, Missouri, and used the name Sara Teasdale Filsinger after her marriage in 1914. She is the author of many poetry collections. In 1918 she was awarded both the Columbia Poetry Prize (now the Pulitzer) and the Poetry Society of America Prize for her "Love Songs" collection published in 1917 .... Read more

But then there comes that moment rare
When, for no cause that I can find,
The little voices of the air
Sound above all the sea and wind.

The sea and wind do then obey
And sighing, sighing double notes
Of double basses, content to play
A droning chord for the little throats—

The little throats that sing and rise
Up into the light with lovely ease
And a kind of magical, sweet surprise
To hear and know themselves for these—

For these little voices: the bee, the fly,
The leaf that taps, the pod that breaks,
The breeze on the grass-tops bending by,
The shrill quick sound that the insect makes.

(Poem is in the Public domain)

Kathleen Mansfield Murry (née Beauchamp; 1888 –1923) was a New Zealand writer, essayist and journalist, considered one
of the most influential and important authors of the modernist movement. Her works are celebrated across the world, and have been published in many languages. Wikipedia

                           I

They met and they talked where the crossroads meet,
Four men from the four winds come,
And they talked of the horse, for they loved the theme,
And never a man was dumb.
The man from the North loved the strength of the horse,
And the man from the East his pace,
And the man from the South loved the speed of the horse,
And the man from the West his grace.

So these four men from the four winds come,
Each paused a space in his course
And smiled in the face of his fellow man
And lovingly talked of the horse.
Then each man parted and went his way
As their different courses ran;
And each man journeyed with peace in his heart
And loving his fellow man.

                           II

They met the next year where the crossroads meet,
Four men from the four winds come;
And it chanced as they met that they talked of God,
And never a man was dumb.
One imagined God in the shape of a man.
A spirit did one insist.
One said that nature itself was God.
One said that he didn’t exist.

They lashed each other with tongues that stung,
That smote as with a rod;
Each glared in the face of his fellow man,
And wrathfully talked of God.
Then each man parted and went his way,
As their different courses ran;
And each man journeyed with wrath in his heart,
And hating his fellow man.

(This poem is in the public domain)

Sam Walter Foss (1858 – 1911) was an American librarian and poet born in Candia, New Hampshire. He gra­du­at­ed from Brown Un­i­ver­si­ty, Pro­vi­dence, Rhode Is­land, in 1882, His works include The House by the Side of the Road, Two Gods and The Coming American. He served as librarian at the Somerville Public Library in Massachusetts.  Foss used to write a poem a day for the newspapers and his five volumes of collected poetry

     THE YELLOW VIOLET

When beechen buds begin to swell,
And woods the blue-bird's warble know,
The yellow violet's modest bell
Peeps from the last year's leaves below.

Ere russet fields their green resume,
Sweet flower, I love, in forest bare,
To meet thee, when thy faint perfume
Alone is in the virgin air.

Of all her train, the hands of Spring
First plant thee in the watery mould,
And I have seen thee blossoming
Beside the snow-bank's edges cold.

Thy parent sun, who bade thee view
Pale skies, and chilling moisture sip,
Has bathed thee in his own bright hue,
And streaked with jet thy glowing lip.

Yet slight thy form, and low thy seat,[Page 16]
And earthward bent thy gentle eye,
Unapt the passing view to meet,
When loftier flowers are flaunting nigh.

Oft, in the sunless April day,
Thy early smile has stayed my walk;
But midst the gorgeous blooms of May,
I passed thee on thy humble stalk.

So they, who climb to wealth, forget
The friends in darker fortunes tried.
I copied them—but I regret
That I should ape the ways of pride.

And when again the genial hour
Awakes the painted tribes of light,
I'll not o'erlook the modest flower
That made the woods of April bright.

William Cullen Bryant (1794 – 1878) was an American romantic poet, journalist, and long-time editor of the New York Evening Post. Born in Massachusetts, he started his career as a lawyer but showed an interest in poetry early in his life. He soon relocated to New York and took up work as an editor at various newspapers. He became one of the most significant poets in early literary America and has been grouped among the fireside poets for his accessible, popular poetry. Wikipedia

Poem is in the public domain

On a soaked fence-post a little blue-backed bird,
Opening her sweet throat, has stirred
A million music-ripples in the air
That curl and circle everywhere.
They break not shallow at my ear,
But quiver far within. Warm days are near!

Max Forrester Eastman (1883 – 1969) was an American writer on literature, philosophy and society, a poet and a prominent political activist. Moving to New York City for graduate school, Eastman became involved with radical circles in Greenwich Village. He initially supported socialism but became highly critical first of Stalinism and then of communism and socialism in general, becoming an advocate of free market economics. He was also a leading patron of the Harlem Renaissance and an activist for a number of liberal and radical causes. In later life, he published more frequently in National Review and other conservative journals, but he always remained independent in his thinking. For instance, he publicly opposed United States involvement in the Vietnam War in the 1960s, earlier than most. Wikipedia

By night when others soundly slept
And hath at once both ease and Rest,
My waking eyes were open kept
And so to lie I found it best.

I sought him whom my Soul did Love,
With tears I sought him earnestly.
He bow'd his ear down from Above.
In vain I did not seek or cry.

My hungry Soul he fill'd with Good;
He in his Bottle put my tears,
My smarting wounds washt in his blood,
And banisht thence my Doubts and fears.

What to my Saviour shall I give
Who freely hath done this for me?
I'll serve him here whilst I shall live
And Loue him to Eternity

Anne Bradstreet (née Dudley; (1612 – 1672) Born to a wealthy Puritan family in Northampton, England, she was the most prominent of early English poets of North America and first writer in England's North American colonies to be published. She is the first Puritan figure in American Literature and notable for her large corpus of poetry, as well as personal writings published posthumously. Read more

Image: Frontispiece for An Account of Anne Bradstreet The Puritan Poetess, and Kindred Topics, edited by Colonel Luther Caldwell (Boston, 1898) (cropped).No portrait of her lifetime exists.

                   Sonnet

Oh for a poet—for a beacon bright
To rift this changeless glimmer of dead gray; 
To spirit back the Muses, long astray,
And flush Parnassus with a newer light;
To put these little sonnet-men to flight
Who fashion, in a shrewd mechanic way, 
Songs without souls, that flicker for a day, 
To vanish in irrevocable night,

What does it mean, this barren age of ours? 
Here are the men, the women, and the flowers, 
The seasons, and the sunset, as before.
What does it mean? Shall there not one arise 
To wrench one banner from the western skies, 
And mark it with his name forevermore?


Edwin Arlington Robinson (1869 – 1935) was an American poet born in Maine. Robinson won the Pulitzer Prize for Poetry on three occasions and was nominated for the Nobel Prize in Literature four times.
This poem is in the public domain.

I stand amid the roar

Of a surf-tormented shore,

And I hold within my hand

Grains of the golden sand--

How few! yet how they creep

Through my fingers to the deep,

While I weep--while I weep!

O God! can I not grasp

Them with a tighter clasp?

O God! can I not save

One from the pitiless wave?

Is all that we see or seem

But a dream within a dream?


Edgar Allan Poe -  (1808 - 1849) American writer, editor, and literary critic

              Eternity

He who binds to himself a joy
Does the winged life destroy;
But he who kisses the joy as it flies
Lives in eternity's sun rise.

William Blake - (1757 – 1827) was an English poet, painter, and printmaker. Although Blake was largely unrecognized during his life, he is now considered an influential figure in the history of the poetry and visual art of the Romantic Age. Blake was considered mad by contemporaries for his idiosyncratic views, but he is now held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. Read more